SỰ TRỖI DẬY CỦA “CON NGƯỜI CÁ NHÂN” TRONG VĂN CHƯƠNG TẢN ĐÀ

Abstract

It can be said that Tan Da literature is a “big contradiction block” with the overlap, conflict between aesthetic models and opposite state of thinking. When letting that artistic world slip on the East-West cultural intersection, it is realized that inside the essence of an amateur Confucian is the strong rise of the individual man with the journey to look for “freedom” and the lyrical ego carrying the desire to liberate the hidden emotions. The opposition in that lyrical subject is both unique beauty and prominence that shows the intercultural mark in Tan Da literature.