TIỂU THUYẾT CÔNG CHÚA ĐỒNG XUÂN CỦA TRẦN THÙY MAI – TỪ CUỘC HỢP XƯỚNG LOẠI HÌNH ĐẾN SỰ ĐA DẠNG THẨM MỸ

Abstract

The research focuses on explaining the phenomenon of typological interaction in the novel Princess Dong Xuan by Tran Thuy Mai in aspects: from literature to painting and compositions; from literature to cinema and movement. Research results show that, besides the axial element of literary attributes, Tran Thuy Mai's novel Princess Dong Xuan has the mark of other art forms. The combination of literary attributes and typological elements creates aesthetic diversity, stimulating the creation of text value through the process of co-creation. This contributes to proving that type interaction is both the essence of artistic life, both an innovation of the creative subject and a discovery of the recipient.