Hình tượng nhân vật nữ trong tiểu thuyết Mạc Ngôn nhìn từ nguyên lí tính mẫu

Abstract

Daring to think, to write, to break through, to go over the red border of the traditional literature to create the civilization for Chinses literature, there is no one else but the writer named Mo Yan, who wins Nobel price of literature in 2012. With a deep comprehension and a boldly new look, Mo Yan’s novels discover and build the attractively and uniquely female icon, on which the maternal principle carries both the character of tradition and the nature of human. Through a subtlely writing pen, an adoration, an appriciation to the maternal icon, Mo Yan has bravely opened the invisible circle of the traditional literature to find out the depth and fall into the dark corner in these female souls of the current time. Especially, he has boldly put the hidden disturbance of sexuality into these icons of art or described, glorified the female shape of energy, which is seen as the “treasure of life.” That inspiration of praising has lifted this female icon surpass ethicality, morality, social barriers to be bright and immortal. The article generalizes the icon of the female characters, who are seen from the maternal principle, in these novels of Mo Yan: Red Sorghum, Treasure of life, Sandalwood Penalty, Red forest, and Thirteen Steps, to show that these female characters not only represent the Confucius but also hold the mordern shape.